Reviews Worth Reading
Films which feature romantic themes
Hitchcock’s The Man Who Knew Too Much was Day’s proof of concept, which based on her further career everyone seemed to ignore. That Touch of Mink, a film that makes Cary Grant look like he’s not an actor, is just the kind of spineless jaunt that I hate to associate her with.
The first thing that must be clear about Her is that it is not satirical: its future is a believable take on a theme of hipster consumerism. Its people are realistically quirky. They are surrounded by fakery but they are not fake. They are peculiar and humane, rediscovering their spirits in a backwards world. Jonze excels at telling a story of us exaggerated into its essentials.
Miss Pettigrew Lives for a Day stays in your memory like soda bubbles on your lip because it’s just as fizzy, confectionary, and neutral to your health. It’s the most “nothing movie,” as Billy Wilder said of The Seven Year Itch, but today that reminds me so achingly of the frivolous oldies that I can’t help but swoon.
Christophe Gans admirably refers to Jean Cocteau’s 1946 La Belle et La Bête while presenting a version of the fairytale that should read as authentic even to those who have only seen the Disney one. What he does not do is capture the original’s symbolic poetry or frame the old pieces in such a way that their retelling is a revelation.
At the core of the Sandler character is an unwillingness to be stepped on, a rebellious energy merely playacting as perverted. His films have never taken notice of him, but it seems like we’ve been doing it all along. And Anderson, a Sandler fan first, saw an old-timey romance at the center of a geek’s just rage at a society in which he doesn’t fit.
A rom-com in which two conflicted lovers try to forget each other by hammering on actual drugs wouldn’t be more surprised with itself than Eternal Sunshine of the Spotless Mind is with its own matter-of-fact science fiction substitute. Kaufman has made the 2001: A Space Odyssey of love affairs.