The first thing that must be clear about Her is that it is not satirical: its future is a believable take on a theme of hipster consumerism. Its people are realistically quirky. They are surrounded by fakery but they are not fake. They are peculiar and humane, rediscovering their spirits in a backwards world. Jonze excels at telling a story of us exaggerated into its essentials.
Christophe Gans admirably refers to Jean Cocteau’s 1946 La Belle et La Bête while presenting a version of the fairytale that should read as authentic even to those who have only seen the Disney one. What he does not do is capture the original’s symbolic poetry or frame the old pieces in such a way that their retelling is a revelation.