Toy Story 4: Retconning Childhood
Revisiting childhood after it’s over can make it more complicated than it should be. Pixar fumbled another one.
Revisiting childhood after it’s over can make it more complicated than it should be. Pixar fumbled another one.
Finding Nemo has a brilliant way of keeping this theme in the shallows of its action, always present but rarely addressed directly in the ecosystem of all its wonderful ocean stuff.
The film blasts an affectionate symphony of action spy movie set pieces, which Bird composes with such a self-believing style that he reminds me less of a director than of a virtuoso performer. And even they become a back-drop to what is essentially a mid-life crisis film, about a man who misses himself so much that he doesn’t even notice he has a family. Bird offers a genre fattened on mythic pretension a trimming alternative of joyous energy and dazzling characters.