Monster
The Thing (1982)
In this film, the divisions that we value so much, out of which we create our sense of individuality, will victimize us to a terrifying monster of collectivity. The Thing absorbs and unifies life where suspicious and divided people destroy it. This is Invasion of the Body Snatchers accelerated to universality.
The Insignificance of Language in It (2017)
It is a movie with no individual voice and, appropriately enough, it treats language as an impediment to be renounced. Language in It is either an echo or agent of fear. The bullies and auxiliary villains perceive language as intractable from their dominance.
The Thing (2011)
The Thing’s lack of a stable form worked for Carpenter, who was able to squeeze a pure and palpable uncertainty out of never knowing who or what the Thing exactly was. But in Heijningen’s version, it seems to be more a matter of horror tradition than the transcription of a bold idea.
Godzilla (2014)
Edwards treats Godzilla like he’s looking at a cultural monolith. If it’s not worthy of your enjoyment, at least give it your respect.
Cloverfield
Cloverfield manages to encourage us to hold on to those we love and enjoy any day that isn’t the last day of our life. It manages to do so on the run, which it owes to a snappy script and Miller’s motor-mouth, his comedic tension, his well-meaning worry.
Gojira (1954)
Gojira is all performance. Yes, the monster film’s propensity for overacting is here to some extent, but its images still reflect the power that must be innate in the language we cannot hear, which cannot be ignored any more than Serizawa can ignore the child’s prayer over the radio, calling him to fight destruction with destruction.