Raging Bull

Thelma Schoonmaker took home the Oscar for editing and the fights testify to it: there is no method to these matches, no information on boxing, only adrenal pounding and desperate fear. Schoonmaker dredges the matches in momentary flashes of primeval instinct. When LaMotta feels suspicious of his wife, his opponents become dramatically-lit monstrosities shrouded in smoke and slow motion and shadow. His fights are pictures of his psyche.