If Harry Potter and the Sorcerer’s Stone was a tour of fantasy-land (who else thought their feelings seemed stuffed with baubles like gift-bags from a theme park?), The Chamber of Secrets is like accidentally wandering into the maintenance closet. Something is disenchanted by it, and I can think of no harsher criticism, to call something squinty that once was wide-eyed.
A Christmas Carol is such a tired tale by now that the first task of this new film should have been to make old hat seem tailored for the first time. But as Dickens picks up well-known artifices of his story off the street, you become infected by that terribly un-jolly feeling that this is one of those movies – one in which random people will speak full Dickensian quotes for the good author to overhear and jot down, in which everyone he meets has a name that will go into one of his stories.
The aspect of rebellion in Fight Club makes it the anthem of a cinematic generation, who may not understand it at all. Remember, “the first rule of fight club is that you do not talk about fight club.” If you argued about its philosophy, its meaning, its impact, its significance, the movie would punch you in the nose.