Dumbo (1941): The First Disney Film to Fall Short
Beautiful animation complements a pretty bare story about proving yourself even when you have nothing to prove. Not the studio’s best.
Animation
Films which are either fully animated or contain animated sequences
Snow White and #MeToo: Reclaiming a Classic
An alternative to the modern rejection of fairytales. Why true love never goes out of style.
Bambi
The world of Bambi is so beautiful and passively hostile that you can’t help but love it a lot. And grow up a little.
My Neighbor Totoro
The climax of My Neighbor Totoro doesn’t involve the Volvo-sized hamster of the title, nor does it involve a sick mother who can only be cured by magic – it involves only a five-year-old girl who is lost and scared because she thinks that she can. Like childhood the film involves a lot of running around and laughing and getting grass stains in exotic places. And it drifts into genuine fear, and magic saves the day.
Finding Nemo
Finding Nemo has a brilliant way of keeping this theme in the shallows of its action, always present but rarely addressed directly in the ecosystem of all its wonderful ocean stuff.
The Incredibles
The film blasts an affectionate symphony of action spy movie set pieces, which Bird composes with such a self-believing style that he reminds me less of a director than of a virtuoso performer. And even they become a back-drop to what is essentially a mid-life crisis film, about a man who misses himself so much that he doesn’t even notice he has a family. Bird offers a genre fattened on mythic pretension a trimming alternative of joyous energy and dazzling characters.
Corpse Bride
A movie that actually should have been weirder: it’s the conventions of the plot that bog the movie down from being as beautiful as it looks.
The Thing (2011)
The Thing’s lack of a stable form worked for Carpenter, who was able to squeeze a pure and palpable uncertainty out of never knowing who or what the Thing exactly was. But in Heijningen’s version, it seems to be more a matter of horror tradition than the transcription of a bold idea.
Shark Tale
It takes zero seconds for Shark Tale to be the worst DreamWorks animated film I’ve ever seen. To find something worse you’d have to watch one of those Disney knock-offs that you pass over on Netflix with a cold shudder, or one of those YouTube-only CG student projects, or a film by Illumination. I’m going to scoop out its anchovy-sized heart and squeeze out the grease between my fingers before feeding it to my cat.
The Fault in Our Selves: Peter Rabbit and the Innocence Problem
Art isn’t just a product: it’s a testament to the beliefs that made it. What beliefs does Peter Rabbit celebrate? A belief in art or analytics, in magic or in marketing? I remember thinking the same of Kangaroo Jack, of which Peter Rabbit is more a successor than to Potter. At least it’s so disparate from itself that it says nothing about her and everything about us.
Kubo and the Two Strings
By remaining outside after dark, Kubo invokes the inevitable quest for three sacred pieces of armor so that he may defeat the Moon King. Kubo weaves its story with the mythologist Joseph Campbell’s pattern, which he called the “monomyth,” by telling a story about a boy and his Mother as though it represented all boys and all Mothers.