Amy Adams – Film Objective

Catch Me If You Can

Spielberg cons us into falling in love with thievery. An early DiCaprio treat.

Arrival has a relationship with time that does not belong in this dimension. It is a prophetic haiku if Tarantino’s trysts with time are a greeting card. Infinite experiences are woven together so fluidly that Villeneuve has confected a film made in the medium of its subject.