La Belle et La Bête (2014)

Christophe Gans admirably refers to Jean Cocteau’s 1946 La Belle et La Bête while presenting a version of the fairytale that should read as authentic even to those who have only seen the Disney one. What he does not do is capture the original’s symbolic poetry or frame the old pieces in such a way that their retelling is a revelation.

The Happening

I’ve seen great filmmakers make bad movies. But I’ve never seen them willingly create the antimatter to their own style. With only the earnest request of his audience to question and unravel everything they believe about their brittle capitalistic existence, Shyamalan instead has made a film that makes me question and unravel everything I believe about Shyamalan.

Moonraker

Moonraker skips the part where all is as it seems, a noble approach for a film in a formula series (they might have made it stick as self-aware humor, but even that would have been too “wink-wink” with Moore at the Helm). “You appear,” says Drax after Bond’s fourth miraculous escape, “with the tedious inevitability of an unloved season.” Here is an oddity: a franchise that doesn’t know it knows itself.

Suicide Squad: Hot Topic Team-Up

Suicide Squad is a petty crime. It is a work of stupid badness, clumsy as a graffiti scrawl, and less motivated on a world stage where it hopes to earn $800 million than actual scrawls I’ve seen, on the bottoms of bridges where they expect to earn nothing but contempt.

Kubo and the Two Strings

By remaining outside after dark, Kubo invokes the inevitable quest for three sacred pieces of armor so that he may defeat the Moon King. Kubo weaves its story with the mythologist Joseph Campbell’s pattern, which he called the “monomyth,” by telling a story about a boy and his Mother as though it represented all boys and all Mothers.