The Fight to Be Fathered: False Politics in Black Panther

This is a film made with the intention of proving that black actors should not be typecast as thugs, yet part of its comedic scheme is the counter-marginalization that all white people are colonizers. Black Panther admirably opposes prejudice when it’s directed at certain groups, but I would have preferred it, especially if its goal was “elevation,” to oppose all prejudice equally.

Ghostbusters (2016) and the Sony Problem

This below-average comedy becomes a disreputable slog by whoring out its cast for a studio’s marketing angle. It becomes socially harmful in the guise of good, a defiler in prophet’s clothing, when it promotes the fair representation of young girls in a film whose feministic prowess never exceeds petty and ill-conceived passes at men, whom Sony counter-marginalizes as comeuppance, as though the playground is the most intellectual arena to which feminism has ever gained access.

The Fault in Our Selves: Peter Rabbit and the Innocence Problem

Art isn’t just a product: it’s a testament to the beliefs that made it. What beliefs does Peter Rabbit celebrate? A belief in art or analytics, in magic or in marketing? I remember thinking the same of Kangaroo Jack, of which Peter Rabbit is more a successor than to Potter. At least it’s so disparate from itself that it says nothing about her and everything about us.