Avengers: Endgame: Fan Reservice
The 22-film climax delivers on fireworks but passes up its themes. Here’s my full analysis.
Features
The 100 Best Movies of the 2010s
This decade saw new studios created and old ones bought. Here’s my pick for the 100 Best Movies of the 2010s.
Star Wars: The Last Jedi: The Price of Ambition
With The Rise of Skywalker coming out, I wrote my final evaluation, for good and bad, of one of the most debated movies ever.
Ghostbusters: Afterlife Trailer Reaction: Nostalgia Manipulation
I’m not buying what this trailer is selling. Here’s why.
The Matrix: Re-Examining a Milestone
The sequels changed this movie. Its ego now shows through its history, though its action still satisfies.
The Final Word: It’s Time to Retire the Term “Mary Sue”
The talk of what it means to be a Mary Sue has gotten so emotional that I think it’s time for the term to disappear. But not before my final word.
Avengers: Infinity War and the Power of Change
An ensemble cluster of action and color anchored by one of the best villains in the genre. The series’ most essential film.
Dumbo (1941): The First Disney Film to Fall Short
Beautiful animation complements a pretty bare story about proving yourself even when you have nothing to prove. Not the studio’s best.
Dark City: Solving the Us Illusion
An extravagant mystery, deeply brilliant. Where mainstream meets noir and makes them both seem like a good idea.
Snow White and #MeToo: Reclaiming a Classic
An alternative to the modern rejection of fairytales. Why true love never goes out of style.
Enemy Explained
An analysis of Villeneuve’s dreamy horror film. Not for the faint, the arachnophobic, or the easily confused.
In Tentative Defense of Star Wars: The Phantom Menace
The Phantom Menace is unformed as a child’s drawing, and sometimes feels as innocent, and many times threatens through sheer force of will to be charming.
Annihilation Analysis: Smart Movies Have it Rough
It’s so admirable you’ll forget the flaws in its execution. Mainstream horror with an intellectual twist.
Aliens: Diversity Done Right
Cinema’s strongest action lady brings us the most charming gore-fest ever made.
The Fight to Be Fathered: False Politics in Black Panther
This is a film made with the intention of proving that black actors should not be typecast as thugs, yet part of its comedic scheme is the counter-marginalization that all white people are colonizers. Black Panther admirably opposes prejudice when it’s directed at certain groups, but I would have preferred it, especially if its goal was “elevation,” to oppose all prejudice equally.
12 Monkeys: Gilliam, Hitchcock, and a Christ Delusion
A grimy movie that you might enjoy, provided you identify at least a little with the weirdos that live in it.
Ghostbusters (2016): The Problem with Fake Feminism
Merely a below-average comedy that becomes a slog by whoring out its cast for an ill-conceived marketing angle.
The Fault in Our Selves: Peter Rabbit and the Innocence Problem
Art isn’t just a product: it’s a testament to the beliefs that made it. What beliefs does Peter Rabbit celebrate? A belief in art or analytics, in magic or in marketing? I remember thinking the same of Kangaroo Jack, of which Peter Rabbit is more a successor than to Potter. At least it’s so disparate from itself that it says nothing about her and everything about us.