Justice League (2017): When Warner Bros. Gave Up
A pile of discarded Halloween costumes dolled up by millions but still boring to watch.
Cinema Sewage
Popeye: Robert Altman—De-Animator
Chaotic elements curdle in Altman’s serious silly world. There are worse films but few larger failures.
Terminator Genisys: When a Series Abuses Itself
About as bad as a movie of its kind could be. The franchise equivalent of suicide ideation.
The Mummy (2017)
What was once a man’s desperate quest to resurrect his lost lover ala Dracula has been turned into a petulant girl’s desire to reincarnate the god she serves ala Suicide Squad. Could there be a more fitting beginning to this venture?
Wish Upon
Though it’s awkwardly unscary, even anti-scary because of your inevitable laughter, its flaws are deeper than its genre. This movie is eerily comfortable offering nothing new to horror movies with a premise that, when it was just on paper, was okayed by someone without any plea for originality.
The Cloverfield Paradox
I have not in recent memory seen a film whose concept is more divergent from its filmmaking than The Cloverfield Paradox. It is a movie so dumbfoundingly predictable and yet so incomprehensible that it becomes meaningless even as an average film, a paradox only in the sense that its grand pretensions cannot occupy the same space as the need to connect a franchise that was never intended to be cohesive.
Fantastic Four (2015)
If Fantastic Four is supposed the be the story of a superhero family, the 2015 adaptation makes them seem as unsupportive as you can be before civil action becomes your only option. Not only do they see no beauty or meaning in their heroic endowments, but they are so quick to give up their integrity after the accident that you think, as you never should, that these people don’t deserve their gifts.
Jack and Jill: Congealed Laziness
Impenetrably lazy, more interested in ad revenue than comedy. The worst from a master of worsts.
Pirates of the Caribbean: Dead Men Tell No Tales
No one said Pirates movies were cinematically healthy, but up till now there have been defenders of each film at least regarding tastiness. Dead Men Tell No Tales is like Davy Jones in previous films: chained to the job he was hired to do despite having no heart.
Robin and the 7 Hoods
This moral naysaying is shockingly against type for a film bursting with Copacabana headliners. Remember that these are the guys hired explicitly to hold a mic in one hand, a drink in the other, and to generate a fantasy of wealth and well-meaningness that makes thousands of less charming people mistake clubbing for having fun. Robin and the 7 Hoods is drastically less endearing than any of its hoods.
Alice Through the Looking Glass
A nauseating movie. I’d say it was hedonistic but that requires it to be pleasurable at some point.
Shark Tale
It takes zero seconds for Shark Tale to be the worst DreamWorks animated film I’ve ever seen. To find something worse you’d have to watch one of those Disney knock-offs that you pass over on Netflix with a cold shudder, or one of those YouTube-only CG student projects, or a film by Illumination. I’m going to scoop out its anchovy-sized heart and squeeze out the grease between my fingers before feeding it to my cat.
The Happening
I’ve seen great filmmakers make bad movies. But I’ve never seen them willingly create the antimatter to their own style. With only the earnest request of his audience to question and unravel everything they believe about their brittle capitalistic existence, Shyamalan instead has made a film that makes me question and unravel everything I believe about Shyamalan.
Suicide Squad: Hot Topic Team-Up
Suicide Squad is a petty crime. It is a work of stupid badness, clumsy as a graffiti scrawl, and less motivated on a world stage where it hopes to earn $800 million than actual scrawls I’ve seen, on the bottoms of bridges where they expect to earn nothing but contempt.