M.C. Myers
Ad Astra: Space Melodrama
A family drama and a space movie, with little enough ambition to fail them both.
The Tree of Life: Memory Epic
An epic of intimate proportions. The most personal film of its decade.
The Revenant: Locating Realism
As much a study in the intensity of its filmmaker as a story. This movie bares all.
Bronson
A director matched to a star matched to a subject. None of them want you to accept them, and that’s why you can’t help it.
The Matrix: Re-Examining a Milestone
The sequels changed this movie. Its ego now shows through its history, though its action still satisfies.
Between the Darkness
A concerted first indie horror effort whose spirit falls short of its intentions. The look outshines the script.
Vertigo: Decoding Desire in Hitchcock
Hitchcock unravels his idea of women. Perhaps the most important romance ever made.
Toy Story 4: Retconning Childhood
Revisiting childhood after it’s over can make it more complicated than it should be. Pixar fumbled another one.
Dark Phoenix: Ending on a Whimper
A series sendoff turns into an anthem to whining. This was not the way it should have ended.
X-Men: First Class: A Change of Color
A younger cast puts a spring in this series’ step. One of X-Men’s best.
mother!
Gorgeous movies aren’t usually this divisive. Aronofsky seems to delight in making us squirm over his art, and over ourselves.
Moonrise Kingdom
Wes Anderson turns our lives into a documentary. He’s found more love in two children than most have found in the rest of us combined.
The Final Word: It’s Time to Retire the Term “Mary Sue”
The talk of what it means to be a Mary Sue has gotten so emotional that I think it’s time for the term to disappear. But not before my final word.
Insomnia
A simple cop thriller elevated by a feeling. Pacino torments himself for us and it’s mostly wonderful.
Avengers: Infinity War and the Power of Change
An ensemble cluster of action and color anchored by one of the best villains in the genre. The series’ most essential film.
The Passion of the Christ
A gutsy portrayal of a well-known story. But the passion has to come from you: the movie has little of its own.
Shaun of the Dead
With pure style, Wright re-arms the entire genre against us. Through comedy, we become the living dead.
The Hunchback of Notre Dame (1996)
A cartoon in the spirit of the old epics. The best musical Disney ever made.
Alien: For the Love of Sex Monsters
The horror here is disquietingly personal. A masterclass in turning style into story.
Rogue One: A Star Wars Story
My favorite of the Disney Star Wars films. It’s rough, I’ll admit, but rugged when it counts.
Shazam!
Not only does the movie walk on air, it never loses sight of the people on the ground. Few movies have been less ashamed to be themselves.
Terminator Genisys: When a Series Abuses Itself
About as bad as a movie of its kind could be. The franchise equivalent of suicide ideation.
